In my last review, for Mulholland Drive, I remarked that I don’t enjoy writing reviews of unquestionably great films. I find writing those reviews a taxing experience due to the fact that whatever I write will have been written a million times before. Plus I generally assume that if you’re reading these reviews you’re already fairly knowledgeable in the world of film and are likely familiar with the work already. But I made a decision nearly 2 years ago to review every film I see and, after watching Mark Cousins’ superb The Story Of Film, I have found myself building a collection of classic films I have never seen. And so here I am, with a BFI restoration of Battleship Potemkin, one of the most important films ever made. Often placed at the top of greatest film ever lists and possibly the origin on montage film and the use of editing to manipulate the audiences emotional links to the character. Also, the most praised propaganda film of all time without question. Yes, more so the The Hurt Locker. Well then, click the link for my review. I promise to review something simpler next time.
Category Archives: Silent
During 2012 a number of films were released that could almost be seen as love letters to the history of cinema. We had Hugo which featured the early career of George Melies and many silent cinema nods. Cabin In The Woods played out as one huge love up/damnation of the horror genre which simultaneously paid tribute to classic horror whilst showing you how horror worked and, by proxy, how simple horror has recently become. Mark Cousins released a beautiful 15 hour long film about the Story Of Film which is a must watch for any film fans. Today’s film is another of these tributes to classic cinema in the form of The Artist. At The Oscars last year it was The Artist and Hugo that swept up a lot of the awards, which kinda says a lot about how nostalgic the Oscar committee are. Does The Artist manage to be more than just a tribute to the early days of cinema? Well, click the link for my irrelevant views.